The Guide to Musical Theatre

Home Page | Privacy
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y | Z
Rights Holder | names and addresses
Links to Theatre Oriented Sites | NW Theatres
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y | Z
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y | Z
A selection of shows broken down into type. This is not an exhaustive or definitive list but merely a suggestion.
Potted biographies of musical theatre composers

Showlist F

Cover to cast recordingFRÜHLING

(Springtime)

- (1922) (Music by Franz Lehár: Book and lyrics by Rudolf Eger)

Synopsis

Hedwig has to type a libretto for the Librettist who is as masterful as his collaborator, the Composer, is timid. She promises to spend the evening with the Librettist but while she types she lives the life of the libretto, which features two girls and two men, a timid musician and his masterful friend. The musician and one of the girls are involved in a Box-and-Cox sharing of an attic flat with inevitable misunderstandings. By the time the libretto is finished, Hedwig realises that the one she loves is the timid Composer after all.

 

Principals: 2 Female, 2 male.

Sets: 2

Orchestra: 112/021/Perc/Hp/Harmonium/Strings

Language Version: G

         

 
Back to Top

Site Map | Privacy Policy | © 1994 - 2007 David Lewis