IRMA LA DOUCE

A Musical Play in 2 Acts: Book and lyrics by Alexander Breffort; Music by Marguerite Monnot;
(English Book & Lyrics by Julian More, David Heneker & Monty Norman)

Théâtre Gramont, Paris - 12 November, 1956
Saville Theatre, London - 17 July, 1958
Plymouth Theatre. Broadway 29 September, 1960 (527 perfs)

STORY:

Irma is one of Paris' most successful poules (tarts). She falls in love with Nestor, a penniless law student. She decides for the first time in her life she will have a mec (pimp). Nestor is jealous of Irma's customers and decides he must become her only buyer, so he disguises himself as Monsieur Oscar, a rich old fossil who asks only companionship, yet provides enough grisbi (money) to become her exclusive patron.

Nestor soon becomes exhausted from his numerous jobs, studies, and lovemaking. Irma decides that Oscar is not getting his money's worth and seduces him more passionately than she ever has Nestor. This makes him more jealous than ever and he decides that Oscar must die. However, in killing-off his alias, Nestor is convicted of murder and sentenced to Devil's Island. When he learns Irma is with child he escapes on a raft and finally proves (by paying off the judge) that he and Oscar are one and the same - all this in time to witness the birth of his child on Christmas Eve.

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MUSICAL NUMBERS:

Arctic Ballet
The Bridge of Coulaincourt
But
Christmas Child
Dis-Donc
The Freedom of the Seas
From a Prison Cell
Le Grisbi Is le Root of le Evil in Man
Irma-la-Douce
Our Language of Love
She's Got the Lot
Sons of France
That's a Crime
There Is Only One Paris for That
Valse Milieu
Wreck of a Mec.

INSTRUMENTATION:

Bass, reed I (flute, pic), reed II (clar, bari sax), trombone I, II, percussion, guitar, accordion, piano-celeste.

CAST:

21 roles, 9 principals.

• Irma, a dancer who sings and acts (the only female part in the show).
• Bob-le-Hotu, singing storyteller, character man.
• Nestor, romantic lead, good voice, little dancing, double role as older man with different voice and character.

Other "mecs", gendarmes, prisoners, admirers; bar patrons are the all male chorus roles.

They usually perform as a group, should include several good solo voices and a couple of lead dancers.

Total cast - 21.

SCENES AND SETS:

2 acts, 23 scenes, 6 full stage sets, 4 partial stage sets, 1 scrim, 2 drops, 1 darkish sky drop.

ACT I

Scene 1: Outside the Bar-Des-Inquiets, Pigalle.
Scene 2: Inside the Bar.
Scene 3: Irma's Room.
Scene 4: The Pont Coulaincourt (Hotel Rapid in Background).
Scene 5: Same.
Scene 6: Same.
Scene 7: Hotel Rapid.
Scene 8: The Bar.
Scene 9: Hotel Rapid.
Scene 10: Nestor and Irma's Room.
Scene 11: Same.
Scene 12: Narrow Street.
Scene 13: The Banks of the Seine
Scene 14: The Bar.

ACT II

Scene 1: A Law Court
Scene 2: Prison Ship
Scene 3: Street Outside Irma's House
Scene 4: Devil's Island
Scene 5: The Raft
Scene 6: A Paris Street
Scene 7: The Police Station
Scene 8: The Street
Scene 9: Irma's Room

PERIOD AND COSTUMES:

Old Paris, anytime: Irma wears black dress and black tights. Males wear French-flavored sweaters, shirts, slacks, caps, and coats. Black cutaway suit and bowler, tourist suits, overcoats, hats, prison uniforms, gendarme uniforms. judge robes, wig, and magistrate hat.

CHOREOGRAPHY:

French-accented modern and modern ballet, traditional French steps and dance specialities, "Valse Milieu" (waltz-like).

LIGHTING AND SPECIAL EFFECTS:

Dramatic lighting, special lighting effects, "electric" sparklers, searchlights and street lamps on stage. Smoke (optional).