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A selection of shows broken down into type. This is not an exhaustive or definitive list but merely a suggestion.
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Showlist M

Mid-LifeMID-LIFE!
The Crisis Musical

A musical in 2 acts. Written by Bob Walton & Jim Walton

Presented at the Chanhassen Dinner Theatres, Minneapolic - 2007

Synopsis

Three men and three women make up the cast of this wacky musical that takes a comic look at the ‘age-old’ conditions and situations faced in Mid-life. From reading glasses and mammograms to weekend warriors and proctology exams – all are lampooned in this show with a Saturday Night Live non-sensibility. Everyone will relate to this hilarious, and at times, touching musical about the curiosities and inevitability of middle-age. It’s a humorous, forthright, no-holds barred assessment of what is often characterised as a challenging time in one’s life -- that’s MID-LIFE! If you bought some Ginkgo Biloba, but can’t remember which cabinet you put it in – then you’re ready for MID-LIFE! Getting older might stink, but it sure beats the alternative! Recommended for adult theatregoers.

Cast:

3M, 3F

Instrumentation:

Piano

Resources:

Slides and sound effects from the original production available

Musical Numbers

  1. OPENING/WELCOME TO MID-LIFE/LIES! - The Company
  2. TURNING FORTY - M1
  3. BIOLOGICAL CLOCK - W1, M3, M2
  4. FRIENDS FOR LIFE - M1, W3, W1
  5. WEEKEND WARRIORS - The Men
  6. WHEN HE LAUGHS - W3
  7. A TRIP TO THE DOCTOR - M1, W2, W1, W3, M3
  8. SIDE EFFECTS - M2
  9. MY LOST LOVE - M3
  10. MID-LIFE TRANSLATOR - M1, W1, M2, W2
  11. SOME KIDS - W3, M3, M2, W2
  12. I QUIT! - The Company
  13. ENTR’ACTE - Pianist
  14. WHAT DID I COME IN HERE FOR? - M1, W1, M2
  15. TURNING FIFTY - W3, M3
  16. BOYS NIGHT IN - The Men
  17. HE GOT WHAT HE DESERVES - The Women
  18. ANOTHER TRIP TO THE DOCTOR - M1, M3
  19. CLASSICAL MENOPAUSE - The Company
  20. THE LONG GOODBYE - W1, W3, M2
  21. I’M NOT READY - The Company
  22. BOWS/FINALE - The Company
  23. EXIT MUSIC - Pianist

SET REQUIREMENTS

The original production at The Chanhassen Dinner Theatres used a playing area stage level with a revolve to allow for quick set changes. The piano player sat on an upper level, which the actors could access via stairways on either side.

This production also used a series of projections that transition between scenes.

 

 

 
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