The Story:
ACT I
As the last bold, brass chords of the overture die away, a spotlight
picks out a girl with a shoulder bag and a heart tattooed on her left
arm. Charity Hope Valentine is meeting her boyfriend in the park. While
she tells him how great he's looking, the silent Charlie preens himself.
Then he grabs her bag, pushes her into the lake and runs off. The passers-by
discuss the apparent drowning but do nothing, until a young Spaniard
finally hauls Charity out and the police arrive, asking questions.
An electric sign lights up, announcing 'The Fan-Dango Ballroom', where
Charity works as a taxi-dancer. In the Hostess Room, Charity explains
to the sceptical girls how Charlie tried to save her - 'He made a grab
for me but all he got was my handbag.' The manager, Herman, arrives to
tell them it's time for work.
A railing rises across the front of the stage, and we are in the seedy
Ballroom. The girls drape themselves over the rail and proposition the
audience. Helene and Nickie try to comfort Charity about Charlie's absence.
On a New York Street, after work, Charity gives to every beggar who
approaches her until she realises she has no money. Just then, film star
Vittorio Vidal rushes out of the smart Pompeii Club, in pursuit of his
beautiful mistress, Ursula. He bowls Charity over in more ways than one.
Ursula refuses to go back inside with Vittorio, who promptly takes the
only-too-willing Charity instead.
Inside the Pompeii Club, the dancers are dancing the latest craze -
The Rich Man's Frug. To everyone's astonishment, Charity sits down with
the famous Vittorio Vidal. She tries to steer him away from the subject
of Ursula and, finally, he wants to dance. Not having eaten since breakfast,
Charity faints. There is general agreement amongst the dancers that she
needs to be 'laid down'. 'But where?' asks Vittorio. Charity opens her
eyes, 'Your apartment!'
Lying down on Vittorio's bed, Charity suddenly isn't hungry any more.
She admits she's a dance hall hostess, putting it down to 'the fickle
finger of fate' - a favourite expression of her's. Vittorio is struck
by her humour and honesty. Totally starstruck, Charity asks for a signed
photograph to prove to the girls she was really in his apartment. While
Vittorio fetches props from his old movies for further evidence, Charity
sings excitedly one of the show-stopping numbers, "If My Friends
Could See Me Now". Then Ursula arrives to apologise for her jealousy.
Charity is swiftly bundled into a closet before Vittorio opens the door
to his fiancée.
The scene switches to farce. Vittorio sings romantically to Ursula while
passing a beer to the closet-hidden Charity. Puffing a cigarette, she
watches through the keyhole as Vittorio and Ursula make love. 'Gee,'
says Charity, impressed, '... talk about your foreign movies!'
In the Hostess Room, the following night, the girls are disgusted that
Charity didn't get more out of Vittorio. Nickie says she's not going
to stick this crummy job for the rest of her life but Herman brings them
back to down to earth.
An electric light announces Charity's 'Big Decision'. She's going to
get some culture from the YMCA on 92nd Street.
At the Y, Charity gets stuck in the lift with shy, panicky tax accountant,
Oscar Lindquist. While trying to calm him down, Charity finds out he
isn't married. 'Oh, Oscar,' she declares. 'You're gonna be all right.'
The lights go out and Act One ends with them yelling for help.
Act Two finds them still in the elevator, but not for long. Finally
released, Oscar invites Charity to go to church with him. It turns out
to be The Rhythm Of Life Church, which is holding its unorthodox meeting
in an underground car park.
A police raid breaks up the meeting. Afterwards, Oscar proposes another
date. On the subway home, he tries to guess Charity's job - it's in a
bank. Unlike with Vittorio, Charity lies: 'You guessed it. First National
City, Williamsburg Branch.' As they part, another sign lights up 'The
First Kiss'. Oscar kisses her hand, and dubs her 'Sweet Charity'.
Two weeks later, Oscar and Charity are still seeing each other and she
still hasn't told him what she actually does for a living. Out at Coney
Island Amusement Park they get trapped again - this time on the parachute
jump. But now he is the calm one and she is scared - scared that she
is starting to depend on him. Once again, Charity loses her nerve about
telling him what her real job is. It's far too pleasant just listening
to Oscar, who has turned manly and protective since meeting her. As the
crowd look on, the couple kiss.
On a slow night at the Fan-Dango, Charity is beaten to one of the few
customers by the new girl. Finally disgusted by the whole business, she
quits. But on Times Square she wonders what the alternative is.
At Barney's Chile Hacienda, Charity meets Oscar to have it out. She
admits that she's a dance hall hostess. But he knows. He followed her
one night and watched for an hour. He doesn't care and wants to marry
her. Charity leaves on cloud nine and packs a suitcase on which is printed
'Almost Married'.
After a farewell party at the Ballroom Charity and Oscar walk in the
park when Oscar drops the bombshell. He can't marry her. He's been thinking
about the men before him. 'Marry me and I'll destroy you, Charity,' he
says. 'That's okay,' says Charity, 'I'm not doing much now, anyway.'
Urging her to run away, Oscar pushes her into the lake. Then he leaves.
Charity emerges. 'Did you ever have one of those days?' she asks the
audience. But at least she still has her bag. She is just thinking that
maybe things are looking up when, right on cue, the Good Fairy appears.
'Dreams will come true tonight!' she promises, scattering stardust. She
turns to go. On her back is a sign saying: 'Watch "The Good Fairy" Tonight
... 8 o'clock ... CBS.' Charity shrugs, and begins to dance, alone again
as at the start. Three fluorescent signs appear in turn, reading: 'And
So She Lived' ... 'Hopefully' ... 'Ever After'.
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